Stück (1975)
undefined score (no definitions for the scene etc.. either)

Solo (1976)
undefined score

Quartett (1976)
for four various instruments with undefined score
Duration: 8' 00"

Lachen und Lächeln. Nach einem Gedicht von Robert Walser (1978)
Based on a poem by Robert Walser
for soprano, piano, violin, clarinet and horn
Texts: Robert Walser
The piece is rich in sonorous consonances, its dissonance lies in an extremely asymmetrical formal annex: three short ensemble pieces are followed by five longer piano pieces.
Duration: 15' 00"

Klavierstücke (1978-1979)
Duration: 6' 00"

Sachen (1979-1980)
for soprano and instrumental ensemble (fl(pic).2cl(2bcl)/2hn.4-5tpt.tbn/perc/pf/3vn.va.2vc)
Twenty-eight pieces in various instrumentations; can also be played separately. Lots of soli.
Duration: 45' 00"

Sam Lazaro Bros (1984)
for piano
Duration: 12' 00"

Orchester I (1986)
(3(2pic).3.3(bcl).2/3.2.3.1/vib.cel.hp/str)
The orchestra is used throughout in a chamber music fashion.
Duration: 18' 00"

CHF: 26.00

Die Kuh beim Frühstück (1986)
for piano
Duration: 5' 00"

Saat (1986)
for organ
Duration: 15' 00"

Orchester II (1987)
(2.1.ca.2(2.bcl).1/2.1.1.1/perc/str)

Relikt (1987)
for guitar

A Few Rooms Around Town (1988)
for orchestra (2.2.2.2/2.2.0.0/timp/str)
What did he leave us? A few poems, a few drinks, a few rooms around town, a few friends (Morton Feldman on Frank O'Hara). The piece pays tribute to the mutual affection and rapport between these two men.
Duration: 16' 00"

CHF: 29.00

Ich weiss nicht was ich bin (1981-1987)
for soprano and instrumental ensemble (fl.cl/pf/vn.va.vc)
Texts: Angelus Silesius
The piece moves in broad phrases predominantly in the higher register (soprano b - g#"), with subtle counterpoint.
Duration: 9' 00"

String quartet (1988)
My interest is in experience that is wordless and silent, and in the fact that this experience can be expressed in art work - also wordless and silent. (Agnes Martin)
Duration: 12' 00"

Piano trio (1989)
Almost exclusively homophonic and tranquil throughout.
Duration: 7' 00"

CHF: 13.00

An die Stadtvögel (1989)
for guitar
Duration: 75' 00"

Two Slow Movements (1984-1990)
for instrumental ensemble (cl.bn/hn/vn.va.vc.db)
First movement: a wide-reaching arch. Second movement: small-scale, two-voice experiments.
Duration: 7' 00"

CHF: 21.00

(unbetitelt) I (1990)
for flute, clarinet, trumpet, violin, viola, violoncello and piano
Duration: 11' 30"

(unbetitelt) II (1994)
for flute, clarinet, trumpet, violin, viola, violoncello and piano
Duration: 13' 30"

(unbetitelt) III (1990-1994)
for piano and percussion
Duration: 7' 00"

(unbetitelt) IV (1990)
for viola and piano
Duration: 17' 00"

(unbetitelt) V (1990)
for cello and piano
Duration: 17' 00"

(unbetitelt) VI (1990)
for two violins, viola and cello
Duration: 17' 00"

Zwei allerletzte Sächelchen (1990)
for piano and string quartet
Duration: 2' 00"

(Invention) (1990)
for piano
Duration: 11' 00"

No. 1 / No. 2 (1990)
for 2 violins
Duration: 5' 00"

Klavierstück Arrangement I, II, III (1991)
for piano or three pianos
Duration: 11' 00"

2 Stücke (1991)
for violoncello and piano
Duration: 19' 00"

In memoriam Ludwig Hohl (1978-1992)
for orchestra (3(1pic).2.3(1bcl).3(1cbn)/4.2.3.1/perc/str)
Duration: 4' 00"

CHF: 16.00

Lento, Lento, Molto Lento (1992)
for instrumental ensemble (fl(bfl).bcl/tpt/pf/va.vc)
Three movements: a sextet, a trio, a piano piece; a piece of music that gradually fades away.
Duration: 20' 00"

Fenster zum Himmel (1992)
for flute
Duration: 3' 00"

Ohne Warum (1992)
for flute
Duration: 3' 00"

Stein (1992)
for flute
Duration: 3' 00"

Drei Trompeten für Erik Satie (three trumpets for Erik Satie) (1992)
Duration: 5' 00"

Vielleicht bin ich wirklich verloren (1980-1993)
for soprano and instrumental ensemble (fl.cl/tpt/pf/vn.vc)
Texts: Franz Kafka
Molto espressivo, extremely compressed, with lots of silence.
Duration: 6' 30"

In memoriam Cornelius Cardew (1993)
for piano
Duration: 4' 00"

Mit Schweigen wird's gesprochen II (1993)
for viola
Duration: 20' 00"

Der Mensch gleicht einem Hauche (1993-1994)
for counter-tenor, recorder, viola, violoncello, double-bass and organ
Texts: Bibel / Liturgie
Text: Psalms 144,4.At the heart, danger, desolation, and fragility are what most characterise this piece. The choice of notes is limited, and only collectively can their meaning be known.
Duration: 5' 00"

CHF: 16.00

Mit Schweigen wird's gesprochen (1993-1995)
for bass clarinet
Four parts, in each of which the extremities of the instrument's register and the gentle dynamic are gently touched upon.
Duration: 12' 00"

St. Dizier-l'Evêque, Lagrange, Chaux, Felon (1994)
for violin, piano and percussion
The first and third movements are played as a trio, the second and fourth are for percussion solo. The title is based on the names of four towns that appear in a text by John Berger.
Duration: 15' 00"

Ohne Titel (für Agnes Martin) (1994-1995)
for four large drums (two players)
Duration: 32' 00"

Klavierstück (1995)
Duration: 12' 00"

Ohne Titel (Zwei Violinen) (1995)
Duration: 30' 00"

Aufzählung. Licht. Tänzerin am Rand (1995-1996)
for actor, female dancer, three instruments (flute, violoncello and accordion)
Duration: 20' 00"

CHF: 23.00

Lovaty (1996)
for two speaking voices
Texts: Alltags- Werbe- Mediensprache
More than two thousand bird and field names form the basis of this piece. It requires a difference in the interpretative countenance of the (same sexed) speaking voices.

Resges (1996)
for percussion
Duration: 30' 00"

Freichten (1996)
for speaking voice
Duration: 11' 00"

"Die meisten Sachen macht man selten" (1994-1997)
for percussion
Duration: 10' 00"

Und ging (I) (1996-1997)
for singing voice, violin and percussion
Texts: Robert Walser
A farewell to Robert Walser. Singing voice: c-e1 (resp. c1-e2 for performance with female voice).
Duration: 24' 00"

Canto (1996-1997)
for twelve wind instruments (2ssx[=2fl].2ob.2cl.2bcl.2bn/2hn)
Duration: 10' 00"

Ohne Titel (Violine, Klavier, Schlagzeug) (1996-1997)
Duration: 45' 00"

Da (1997)
for soprano
Duration: 11' 00"

Im Bereich des Möglichen (1997)
for violoncello
Duration: 9' 30"

Jemandem bei einer Tätigkeit zuhören (1997)
for percussion
Duration: 10' 00"

Ohren (1997)
for electronic tape
Duration: 10' 00"

Ohne Titel (Drei Stimmen) (1997)
for violin, piano and percussion
Duration: 28' 00"

Streichtrio (1997)
Duration: 19' 00"

Viola, Klavier (1997)
Duration: 8' 00"

Violine, Klavier (1997)
Duration: 11' 00"

Ohne Titel (Komplexität der Empfindungen) (1995-1998)
for piano and flute
Duration: 20' 00"

L'âme est sans retenue (1997-1998)
for electronic tape
Duration: 6h 00"

Und ging (II) (1997-1998)
for singing voice
Texts: Robert Walser
Duration: 10' 00"

Wer macht das Stück? (1998)
for paino
Duration: 4' 00"

Ohne Titel (Architektur in der Stille) (1998)
for flute and bass clarinet
Duration: 30' 00"

Flioth (1998)
for two speaking voices
Duration: 12' 00"

Quintett 1 (1998)
for clarinet (in A) and string quartet
Duration: 13' 00"
Manuscript

Canto II (1998)
for trumpet
Duration: 10' 00"

Biel (1998)
for singing voice, piano, large drum and speaker
Duration: 3' 00"

Ohren II (1998)
for performer, private
Duration: 8' 27"
Manuscript

Two Instruments, Series, I - VIII (1998)
for timpani and deep sounding instrument (e.g. bcl, bsx, vc)
Duration: 1h 36' 40"

Wenn nichts da ist, wird etwas entstehen; wenn etwas da ist, wird es verschwinden (1998)
for percussion
Duration: 9' 30"

Drei Trompeten für Carlo Inderhees (three trumpets for Carlo Inderhees) (1998)
Duration: 9' 30"

Three Instruments, Series I - XVII (1998-1999)
for violin, clarinet and percussion
Duration: 4h 00"

One Instrument Series (1), I - X (1999)
for performer
Duration: 1-10 Tage
Manuscript

One Instrument, Series (2), I - IX (1999)
for performer
Duration: 33' 00"-59' 00"

One Instrument, Series (3) (1999)
for accordion / organ
Duration: 10' 00"

Buch der Räume und Zeiten (1999)
for two instruments (from: flute, bass clarinet, trumpet, trombone, voice, percussion 1-4, accordion, piano 1-4, violin, viola, violoncello and electronic tape 1-2)
Duration: 55' 00"

Exact Dimension Without Insistence (1999)
for two instruments (from: flute, oboe, clarinet 1-2, bass clarinet, trumpet, trombone, percussion 1-5, radio, accordion, piano 1-3, guitar 1-2, speaking voice 1-3, speaker 1-2, voice, violin, viola and violoncello 1-2)
Duration: 20' 00"

Und ging (III) (1999)
for soprano
Duration: 13' 00"

Vier Blätter für das Archiv Sehnsucht (1999)
for voice solo
Duration: 4 x 10'

23 Sächelchen für Klarinette (1989-2000)
Duration: 25' 00"

L'âme est sans retenue II (1997-2000)
for bass clarinet and electronic tape
Duration: 56' 00"

L'âme est sans retenue III (1997-2000)
for electronic tape
Duration: 66' 00"

Violoncello, Schlagzeug (1997-2000)
Duration: 10' 00"

Streichquartett 2 (1998-2000)
Duration: 27' 00"

Quintett 2 (1998-2000)
for piano and string quartet
Duration: 25' 00"

Infancia (1999-2000)
for voice (altus, alto, mezzo-soprano) and violin
Duration: 5' 00"

In der Gegend (1999-2000)
50 Leaves - solo performance
Duration: 6' 00"

Wen I – XVIII (1999-2000)
28 solo pieces
for: flute, oboe, clarinet, trombone, speaking voice, piano, guitar, percussion, violin, violoncello
Duration: Dauern zwischen 3'24" und 136'42"

Metal, Stone, Skin, Foliage, Air (1996-2001)
for four percussionists
Duration: 67' 00"

Public Space (2000-2001)
for orchestra (0.0.3.2.cbn/4.3.3.1/5perc/14.12.10.8.6)
Duration: 18' 00"
Manuscript

Piece for piano 2 (2001)
Duration: 15' 00"

Ort (2001)
for 27 string instruments
Duration: 8' 00"

Six Instruments, Series (2001)
for violin, viola, two bass clarinets and two percussionists
Duration: 15' 00"
Manuscript

Acht Räume (The Book of Dreams and Distances) (2001-2002)
for electronic
Duration: 40' 00"
Manuscript

Glafsered I (2002)
for percussion
Duration: 12' 00"
Manuscript

Glafsered II (2002)
for bass clarinet and piano
Duration: 12' 00"
Manuscript

Glafsered III (2002)
for flute, trombone, clarinet, violin, guitar and piano
Duration: 21' 00"
Manuscript

Glafsered IV (2002)
for bass clarinet and percussion
Duration: 12' 00"

Hügel Schatten Landschaften (2002)
for violin, viola, violoncello, flute, clarinet, piano and percussion
Duration: 40' 00"

Zwei Räume (2002-2003)
Electronic music
Duration: 2 x 40'
Manuscript

Metall, Stein (2003)
for crotales/percussion
Duration: 30' 00"

Landschaft mit Wörtern (2003)
for speaking voice and instruments
Duration: variabel
Manuscript

Meine Liste (2003)
for speaking voice, flute, clarinet, violoncello and piano
Duration: 21' 00"
Manuscript

Raum - Zwischenraum (2003)
for two contrabasses, violoncello, clarinet, 4 loud speakers, 5 spaces
Duration: 60' 00"
Manuscript

pianist, alone (1998-2004)
Duration: 86' 00"

Wen (1999-2004)
41 solo pieces
for solo instruments (fl, cl, bcl, voice, pf, perc, vn, va, vc)
Duration: 3' 00"-2h 10' 00"

Unhörbare Zeit (2003-2004)
for flute, clarinet, trombone and violoncello
Duration: 39' 00"

tranquille autorité de l'espace (2003-2004)
for two trumpets, horn, two trombones and tuba
Duration: 35' 00"

Some Places (2004)
for flute (piccolo), viola, violoncello, percussion (flagstones)
Duration: 48' 00"

Architektur der Empfindungen (2013)
for piano quartet
Manuscript

(2011-2014)

Duration: 30' 00"
Manuscript

(2013-2014)

Duration: 30' 00"
Manuscript

Alfred Zimmerlin: Quintet for clarinet in A, two violins, viola and violoncello

Jürg Frey (Musiques Suisses Nr. MGB CTS-M 144, 2014)

Interpreten:

Mondrian Ensemble

Werke:

Frey, Jürg: Architektur der Empfindungen (2013)
Frey, Jürg: Mémoire, horizon (2013-2014)
Frey, Jürg: Extended Circular Music 1-7 (2011-2014)

Info: www.fonoteca.ch

Robert Walser in der Schweizer Musik (Musiques Suisses Nr. 6231, 2005)

Interpreten:

Schneider, Urs Peter
Radermacher, Erika

Werke:

Frey, Jürg: Lachen und Lächeln (1978)
Glaus, Daniel: Sechs Lieder nach frühen Gedichten von Robert Walser (1977)
Neidhöfer, Christoph: 4 Lieder nach Robert Walser (1995)
Haubensak, Edu: Sechs Walserminiaturen (1996)
Mit weiteren Werken von: Annette Schmucki, Aleksander Gabrys

Ianus (stv/asm Nr. 23, 2004)

Interpreten:

Frey, Jürg
Zimmerlin, Alfred
Studer, Daniel
Mit weiteren Werken von: Daniel Studer

Info: www.fonoteca.ch

Jürg Frey: String Quartets (Edition Wandelweiser Records Nr. 410, 2004)

Werke:

Frey, Jürg: Streichquartett (1988)
Frey, Jürg: (unbetitelt) VI (1990)
Frey, Jürg: Streichquartett 2 (1998-2000)
Frey, Jürg: Zwei allerletzte Sächelchen (1990)

Ensemble Neue Horizonte Historische Aufnahmen 1968-1998 (Musikszene Schweiz - Grammont Portrait Nr. CTS-M 76, 2002)

Interpreten:

Ensemble Neue Horizonte Bern

Werke:

Frey, Jürg: Lachen und Lächeln (1978)
Frey, Jürg: Sachen (1979-1980)
Moser, Roland: Heinelieder. Für Stimmen mit Begleitung (1970-1985)
Schneider, Urs Peter: Raritäten für Interpreten (1959-1971/1983)
Schneider, Urs Peter: Mit Dank an Mendelssohn (1981)
Streiff, Peter: Partikel 1-7 (1970-1972)
Radermacher, Erika: Sieben Rosen später (1981)
Radermacher, Erika: Musenkonzept (1990)
Mit weiteren Werken von: Hansjürgen Wäldele, Istvan Zelenka, Henri Pusseur, Christian Wolff, Philippe Micol, Hans-Joachim Hespos, La Monte Young, Cornelius Cardew, Franco Evangelisti, Mathias Brupacher, John Cage, Tzie Elgna, Morton Feldman, Karel Goeyvaerts, Rudolf Komorous, Pie

Info: www.fonoteca.ch

Jürg Frey: Klaviermusik 1978 - 2001 (Edition Wandelweiser Records Nr. 201, 2002)

Werke:

Frey, Jürg: Klavierstück (1995)
Frey, Jürg: Wer macht das Stück? (1998)
Frey, Jürg: Zwei allerletzte Sächelchen (1990)
Frey, Jürg: Klavierstück Arrangement I, II, III (1991)
Frey, Jürg: In memoriam Cornelius Cardew (1993)
Frey, Jürg: Klavierstücke (1978-1979)
Frey, Jürg: Sam Lazaro Bros (1984)
Frey, Jürg: Wen I – XVIII (1999-2000)

Nono - Frey (Edition Wandelweiser Records Nr. 103, 2001)

Werke:

Frey, Jürg: Ohne Titel (Zwei Violinen) (1995)
Mit weiteren Werken von: Luigi Nono

Alfred Zimmerlin (Edition Wandelweiser Records Nr. 9605, 2000)

Interpreten:

Dünki, Jean-Jacques
Frey, Jürg
Moster, Tobias

Werke:

Zimmerlin, Alfred: Clavierstück 4 (1992)
Zimmerlin, Alfred: Klavierstück 5 (1990-1992)
Zimmerlin, Alfred: Quintett (1989-1990)

Lucier - Wolff - Schlothauer - Frey (Edition Wandelweiser Records Nr. 9608, 1996)

Interpreten:

Frey, Jürg

Werke:

Frey, Jürg: Mit Schweigen wird's gesprochen (1993-1995)
Mit weiteren Werken von: Alvin Lucier, Christian Wolff, Burkhard Schlothauer

Frey, Jürg: Intelligente Verfahren, die Offenheit ermöglichen. Einige Erfahrungen mit der Musik von Christian Wolff, in: Dissonanz 104 (2008), S. 15-17 [Internet]

Meyer, Thomas: Rezensionen: Jürg Frey, Piano Music; Werkbetrachtungen, Reflexionen, Gespräche; Wandelweiser und so weiter, in: Dissonanz 124 (2013), S. 78-80

Spohr, Mathias: Urs Graf: Ins Unbekannte der Musik. Ein Musikstück entsteht. Drei Filme: Urs Peter Schneider, Jürg Frey, Annette Schmucki, in: Dissonanz 113 (2011), S. 92-94 [Internet]

Müller, Torsten: Leervolumina, Färbungen. Der Komponist Jürg Frey, in: Dissonanz 104 (2008), S. 36-39 [Internet]

Heisch, Michael: Des Eigenbrötlers inszenierte Stille, in: Aargauer Zeitung (27. April 2004) (2004), S. 11